Italian director Daniele Luchetti, we are told, chose the title My Brother Is an Only Child in tribute to ’70s singer Rino Gaetano, who wrote and recorded a song by that title. The general texture of Gaetano’s song sounds influenced by John Lennon’s “Mother,” but the title was presumably filched (with the tense changed from past to present) from American writer Jack Douglas’s 1959 bestseller, large portions of which, at a certain point of my life, I could recite from memory. Young Yakuza is Jean-Pierre Limosin’s second film to be presented in the official Selection after Tokyo Eyes (Un Certain Regard, 1998).
Jean-Pierre Limosin concerning his meeting with the Yakuza boss, M. Kumagai:
“He asked me if I would be interested in filming from inside a Yakuza clan. I answered that I thought it was impossible. I mentioned the two Japanese documentary filmmakers who had been stabbed while carrying out an investigation, as well as the director Juzo Itami who had got slashed in the face by a gang after the release of his fictional film which presented a caustic view of the mafia. He insisted, all the same, for me to come see what a Yakuza clan was really like.”
A wayward Japanese youth’s apprenticeship with the Nipponese mafia provides an intriguing premise but little substance in French docu “Young Yakuza.” Like Japan’s other cultural touchstone, the geisha, the Yakuza have found expression in both Japanese and Western movies seeking to reveal arcane practices and strict hierarchy, but have remained veiled in secrecy. Pic observes rather than delves. Due to no fault of the filmmaker, docu loses direction due to an absconding protagonist. Fests may want to take a peek, but a lack of meat will disappoint.
At docu’s beginning, concerned mother Mrs. Watanabe considers a proposal from a friend that she hand over her unemployed, criminally disobedient son, Naoki, to the local yakuza gang boss in order to mold her boy into a more disciplined and useful member of society.
April 12, 2008
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